The Tree of Life is finally up! I mean the enormous, steel-framed tree of life festooned with at least two hundred pots built by members of the community, including myself, that now stands a stone’s throw from the Espada Mission, south of the city by the river.
The assembly of the steel frame had been greatly delayed due to Hurricane Harvey which flooded parts of Houston from where the steel was to come. I’d almost forgotten about it until early April, when I was walking near the Mission and Whoa, there it was. It looked just as impressive from a distance as close up. I spotted my pot immediately as it was on the bottom rung and, unlike most of the pots, unglazed, so it stuck out. It was quite a feeling, looking up at my pot, wondering how long it would be there. ‘Until a hailstorm hits it,’ Mike joked. He and friends visiting from Berlin came to see it more recently. Sadly, we’ll not be around for the beatification ceremony as we’ll be in Mexico.
Around the same time, I was driving southwards towards the small town of Poteet, known for its strawberry festival, and it struck me that the wildflowers had not only come out earlier this year but that there was a greater profusion of them. Waysides were splattered with bluebonnets, scarlet paintbrush, yellow sneezeweed daisies, white prickly poppies, soft pink evening primrose, as well as magenta and pale-mauve ones I didn’t recognize… it was hard to keep my eyes on the road. Beyond the waysides lay modest dwellings and the odd small ranch and every inch of their yards was covered with flowers, too, with an occasional old plough and other rusting farming implements peeping out. I gazed in wonderment at one yard thick with bluebonnets in which a white horse grazed. In another, a sign in Spanish advertised goat’s milk for sale. As I drove further south, meadows on both sides of the road were completely carpeted with red, blue, yellow and white and there were huisache trees, too, showing off their dark gold blossom, and Texas redbuds (Judas trees) sprouting purplish-pink flowers. It was like paradise! Well, not quite. When I got out of the car to eat a sandwich I had to step around myriad sandy anthills to be able to reach a log on which to sit. And just outside Poteet, I saw a caracara perched on top of a dead adult deer.
On a whim, I followed a sign to a cemetery. At the end of an unpaved, dusty road I found myself before a small, makeshift graveyard on the edge of a field. The stone gravestones, some obviously hewn by hand, were festooned with artificial flowers, plastic toys, glass baubles, artificial Christmas trees in old tomato or fruit cans painted gold, plastic Santa Clauses and reindeer and tinsel. It was garishly lovely. Alongside the field stretched a meadow of paintbrush and then one of bluebonnets. Caramel and cream cows peered at me over a wire fence as I now bent to study the gravestones. Some of the inscriptions were hand-painted or hand-carved. All were in Spanish. “The creator of the cemetery” lay underneath one according to its inscription. He had been born in 1865 and originated from Parras de la Fuente, Mexico. Walking back to my car I glanced southwards and caught a glimpse of the concrete strawberry on top of Poteet’s water tower.